Thursday, April 23, 2015

Favorite books from the children's section

My daughter recently finished reading The Orphan Train and declared it to be her favorite book. It certainly is good and worth reading. I'm not sure I would call it my favorite. But I'm not sure I can pin down any single book as my favorite. Among all the books I've read, I'd find it too difficult to select one or even a handful for that distinction. I can, however, give a listing of favorites among children's books that  have much to offer adults as well.

To start, there's  a picture book geared toward the very young: Leo Lionni's Frederick. This fable really encapsulates what's behind capturing and representing experience in literature without getting all theoretical.

Another book  that touches on a similar theme in a more extended narrative set in the past in a Jewish community  is Pheobe Gilman's Someting from Nothing.

While those two works are not as well-known as they should be, my next few selections are likely among the books you have read. They include:
Amelia Bedelia
The Snowy Day (wonderful illustrations)
Madeline
Alice in Wonderland
The Little Prince
A Wrinkle in Time
The Chronciles of Narnia
Matilda (I prefer it to Ronald Dahl's better known and more often adpated Charlie and the Chocolate Factory)
Anne of Green Gables

Not quite as famous, though still classic works include:
All of a Kind Family
The Borrowers
Five Children and It

A few of my favorites have been written relatively recently. They include
Wonder
Frindle
Holes
Everything on a Waffle
The View from Saturday
Note:I tried to keep to books aimed at children 12 and under to limit the list. It would grow a lot longer if I were to include the books marketed to tweens and young adults. Also I may add on more books as I discover or rediscover them.






Related post http://uncommoncontent.blogspot.com/2014/02/notes-on-amazons-100-books.html

Saturday, February 28, 2015

Chocolate variations

Mark Miodownik devotes nearly 20 pages of Stuff Matters: Exploring the Marvelous Materials That Shape Our Man-Made World to chococolate. Yes, chocolate. Though the cocoa beans are a natural product, it takes quite a lot of processing to turn them into the confection popular around the globe. Miodownik warns readers that the bean in its natural state tastes nothing like the chocolate he loves to eat; he's tried eating right off the plant and regretted it.

He then goes through the history of chocolate consumption. It started out as drink made by the Olmecs and then the  Mayans. That brew did not have the sweet taste we associate with hot chocolate today, though. It was rather bitter, which after explorers introduced the drink to Europe in the 17th Century, it proved less popular than coffee or tea.  Adding sugar wasn't enough to make it wholly palatable as the 50% cocoa fat rendered the drink "gritty, oily, and heavy" (83).

It took two centuries for a Dutch chocolate company called Van Houten to come up with a way  of applying  a press to the to remove the cocoa butter from the roasted, fermented beans. The yielded  the cocoa powder that serves as the basis of today's cocoa drinks, as well as the ingredient that goes into chocolate cakes.

Arriving at the solid chocolate made into bars was actually the real of what Miodownik calls "counter intuitive genius: having removed and purified the cocoa fat, and having pulverized the cocoa powder separately, why not mix them back together again, add in some sugar, to create an ideal cocoa bean" (83).  And solid chocolate was born.

He says credit for the first chocolate bars does not go to the Dutch or the Swiss but to an English firm called Fry and Sons. However, the Swiss are credited as the first producers of milk chocolate. With an abundance of milk powder from the Nestle company, they combined two products with long shelf lives to achieve a milder, sweeter chocolate than ever before (84).

 It's the differences in milk that produce different tastes in and for chocolate around the world. Sounding a rather Britishly biased, Miodwonik describes  American chocolate as having a "cheesy, almost rancid flavor." That results from incorporating milk in which enzymes reduce fat.  In contrast, the chocolate in the UK gains a "milder caramel flavor" from the sugar added to liquid milk that is reduced to a concentrate before being added to the chocolate. Europeans still opt for powdered milk, which he says provides a "fresh dairy flavor with a powdery texture" (85).

Generally, one prefers the taste of chocolate of one's native country, and the differences in ingredients do explain the outrage some British ex-pats felt at being denied their Cadbury chocolate in the US, as per the recent Financial Times article "British tastebuds caught in crossfire of chocolate war." It all due to the uncommon content of chocolate on different sides of the Atlantic.

Thursday, January 8, 2015

The cat and the pencil trick in "Nightmare Alley"

If there are any magicians out there, you can clarify how the trick is really put together, though I think I figured out the essential points. I just read  William Lindsay Gresham's Nightmare Alley,which is much, much darker than the film adaption starring Tyrone Power that came out just a year after the book. Some of the changes are clearly there to satisfy the Hays Code, though some of the cuts work well at eliminating the cliched Freudian psychology that is in the book.  The obsession with parents is eliminated, and Stan, the protagnoist, is presented as an orphan.

Aside from offering more about what goes on in the heads of the characters, the book gives more tricks of the trade for the con man. One of them was bothering me because it was clearly set up but never completely explained. A man that Stan is trying to win over offers him the test of activating a sensitive electronic scale without touching it. From his preparation, it's clear that a cat and a pencil are essential to the trick. Stan also carries the pencil in and picks up a cat while there. When the cat's owner picks her up afterwards, he remarks on how dirty her fur is.

 It occurred to me that rubbing the cat's fur generates static electricityhttp://www.arvindguptatoys.com/arvindgupta/simsciexpts.pdf  What's explained in 30 and 31 is that the pencil conducts electricity through the graphite. What the reader has to infer is that Stan rubbed the pencil on the cat to get it electrically charged enough to have an effect on the electronic scale even without coming in direct contact with it. Has anyone tried out such a trick?
.  I didn't know exaclty what the pencil did until I found this:



Tuesday, December 23, 2014

The marriage of opposites

Shakespeare begins Sonnet 116 with the declaration, "Let me not to the marriage of true minds/ Admit impediments." In real life, some marriages may not be based so much on the coming together of minds but on the attraction of opposites. That's the case for introverts who marry extroverts, as was the case of each of the three authors featured in perspectives-on-introversion.
The two could complement each other, and come, potentially, come up with a better balance than a couple consisting of two social butterflies who always seek out a crowd or two introverts who end up staying home all the time. On the other hand, the two might clash when it comes to deciding how often to go to parties, entertain others, and how many guests to invite. 
The extrovert may push for more social opportunities, which recharge his/her energies, while the introvert may feel stressed by having to constantly make small talk at such gatherings. Is it inevitable that they end up citing irreconcilable differences in divorce court?
Not necessarily.
In her book, Quiet: The Power of Introverts in a World That Can't Stop TalkingSusan Cain, who admits to being an introvert happily married to an extrovert explains that being married to one's social opposite can work quite well. The key is to understand the other's point of view and arrive at a compromise that will be a win-win for both. She offers the example of such a couple in conflict over the gregarious husband's desire for weekly dinner parties. His introvert wife dreaded such social situations and wanted to be absent from them, a solution that did not appeal to him. The winning solution was one that cut back the parties to twice a month and that changed the format to a buffet style with flexible seating that allowed the shy wife to select a seat at an edge or within a smaller group that would allow her to opt out of small talk and opt into more meaningful, intimate conversations. Other conflicts over public versus private outlets could be resolved in similar ways.

related posts: http://uncommoncontent.blogspot.com/2012/04/working-alone.html
http://uncommoncontent.blogspot.com/2012/04/great-introvert.html 
http://uncommoncontent.blogspot.com/2013/06/jane-austens-heroines-from-extroverted.html
http://uncommoncontent.blogspot.com/2013/08/happiness-is.html
http://uncommoncontent.blogspot.com/2014/12/views-on-boundaries.html
http://uncommoncontent.blogspot.com/2013/11/public-or-it-didnt-happen.html

Sunday, December 7, 2014

Views on Boundaries

Personality types and introversion recently came up on one of the online boards I comment, which
made me consider another aspect of the difference between introverts and extroverts. It's not just a matter of people who need to be alone to recharge in contrast to those who need to be around other people to feel energized. There are real differences between the two in how they view the way people should relate to each other, and that can give rise to misunderstanding or the wrong assumptions, and, yes, I'm thinking of a particular incident..

From what I've observed, introverts assume that boundaries should be in place unless otherwise specified, whereas extroverts are more likely to assume the opposite.  Consequently, while an extrovert would assume it is neighborly to drop in on someone, an introvert would rarely do so unless s/he is expressly invited to come at a particular time. That doesn't mean the introvert doesn't like his/her neighbor but that the assumption is that people want to be left alone unless they tell you otherwise.

Now to get to the particular incident of different assumptions of what constitutes polite behavior, here's the example. I had a friend who stayed in the empty house of a neighbor of a relative once. Said relative told me afterward that the friend was shocked at what the friend did. I was imagining all sorts of horrific scenarios and then was told that the really shocking thing was this: the friend did not pick up the mail that was put through the door slot. Now if you're an introvert, your assumption of boundaries would tell you to leave as much of someone else's stuff alone as possible. That would extend to handling someone else's mail that just happened to be delivered through the door. It takes an extorverted mindset to assume that showing such respect for someone else's privacy is a lack of courtesy.

I'm now adding one other example about circumspection with respect to boundaries, as it just happened. I commented on someone's post and referred to a Talmudic story to make my point. Someone else said I was misrepresenting it and said I got the name wrong. In truth, I would do the same, but only if I were 100% surethat the other person got it wrong.In this case, the name I had writen was correct. I ascertained it again for myself by getting out the primary source. When I pointed that out, the woman who had disagreed with me had to concede that point and then made excuses for herself that she had just been on a long flight, etc., etc. I understand making mistakes when tired. I do that myself and have even been guilty of making typos I would normally spot. However, I would not ever challenge someone on the basis of at hazy recollection, and then say, well, what do you want from me, I was tired.. That's also part of introversion: being very prepared and very sure before speaking up, particularly when publicly contradicting someone.




Related http://uncommoncontent.blogspot.com/2013/11/public-or-it-didnt-happen.html
http://uncommoncontent.blogspot.com/2013/08/happiness-is.html
http://uncommoncontent.blogspot.com/2012/05/perspectives-on-introversion-this-is.html
 http://uncommoncontent.blogspot.com/2012/04/working-alone.html
http://uncommoncontent.blogspot.com/2012/04/great-introvert.html 
http://uncommoncontent.blogspot.com/2013/06/jane-austens-heroines-from-extroverted.html
http://uncommoncontent.blogspot.com/2013/08/happiness-is.html

Sunday, June 29, 2014

Going for the brass ring

Today I rode the  carousel at Hempstead Lake State Park. With my daughter (who did not want to go on by herself) and one other kid, that brought up the total number of riders to three. On the round just before ours there were just two riders. I suppose carousels have fallen out of favor, though they actually have a much longer history than I suspected. 

On the cashier's counter was a pile of papers with some more information about the carousel. Unfortunately, the powers that be at Hempstead Lake State Park did not bother to upload that to the park's site. For example, the historic carousel is named for Heckscher  because August Heckscher donated it to the park in 1931. It continued operating until 2001  (though according to this, it faced a crisis in 1981. In 2003, the carousel was taken apart and shipped across the country to Carousel Works in Ohio  for a full restoration at a cost of $400,000. The carousel was put back in place  and once again opened to the public in 2005.

 Pictures and some more details about its history are in About article by . What's interesting about the major restoration is that it truly lived up to its name. writes that in the decade between 1951 and 1961, eight of the original horses were replaced by aluminum ones. During the restoration project 10 years ago,  those replacements were taken out. In their place  "four original Illions carved horses that had been found in storage, as well as two Illions horses that were taken from a carousel in Pennsylvania, and two new horses that were carved in the Illions style by Carousel Works, Inc." were put in their palce. 

The handout at the carousel also gave some general history of carousels, which is easier to find sourced online. Specificially, what we consider a plaything of children -- and the young at heart, of course -- actually started out as an exercise in knightly combat. Wikipedia covers that in its entry on carousels:


The word carousel originated from the Italian garosello and Spanish carosella ("little battle", used by crusaders to describe a combat preparation exercise and game played by Turkish and Arabian horsemen in the 12th century).[3] This early device was essentially a cavalry training mechanism; it prepared and strengthened the riders for actual combat as they wielded their swords at the mock enemies.
By the 17th century, the balls had been dispensed with, and instead the riders had to spear small rings that were hanging from poles overhead and rip them off. 


The same point is made in a NYC report http://www.nyc.gov/html/lpc/downloads/pdf/reports/2528.pdf posted online  in connection to a carousel in Queens (which wasn't in operation when we visited the park a couple of years ago). Starting out with an eye to SEO, the NYC report includes all variant on name and spellings: "including carousel, carrousel, carousell, carousal, carosello, merry-go-round, roundabout, and steam riding galleries. "  However you spell it, the mechanism dates back to the 16th century:  "Following Henri II’s unintentional death during a jousting match in 1559, French horsemen began practicing with straw and wood figures attached to rotating circular frames"

The NYC report includes  this  citation: 
Much of the information found in this section is found in Frederick Fried, A Pictorial History of the Carousel  (New York: Vestal Press, 1964, various editions), Lisa English, “Roundabout,” Metropolis (July/August 1990), 57-69, “Forest Park: The Carousel,” viewed at http://www.nycgovparks.org/parks/forestpark/highlights/12049.  Also see Richard W. Johnston, “The Carousel,” Life (August 27, 1951), 100ff.; Robyn Love, “The Painted Ponies of Queens: Celebrating the Magic of the Carousel,” poster, City of New York Parks & Recreation, 1995, LPC files; Eric Pahlke, Treasures from the Golden Age: East Carousels (forthcoming, 2013). It is worth noting that most essays and books that are devoted to carousels lack specific citations and references to primary sources. 

In the Hempstead Lake State Park handout, it explained that the brass ring that used to adorn carousels has its roots in what the knights tried to catch as a test of skill. That was later adapted for riders of the ride for amusement, which it became by the beginning of the 18th century, according to the NYC report cited above.  The oldest one still around is in Germany. It was build in 1780, and there is more information about it here

As for the power used to propel the carousels, according to the NYC report,  the rides were first moved by serfs, then oxen. Later carousels incorporated steam power. In 2011, GE set up a solar powered carousel at South Street Seaport that it called Carousolar. But the ride was not intended as a permanent fixture in New York. 


Tuesday, June 17, 2014

Telling a story through letters and posts

Don Quixote is the work that many identify as the first modern novel, a work distinct from epic romances or other high-brow treatments of fictions that were considered worthy of poetry rather than prose.  Of course, that was not an English work, but a Spanish one. The novel genre only arrived in England nearly 2 centuries later, and often the stories were told in the form of letters. 
  
Epistolary novels are set on the premise of the narrator, telling the story to a correspondent. Samuel Richardson opted for the epistolary form for both Pamela and Clarissa in the 1740s About a half a century later, Jane Austen used that form in Lady Susan.  Some decade or two afterwards, Mary Shelley framed the story of the archetypal mad scientist, Frankenstein, in her novel of the same name by having the story related by the sailor who picks him up on his sea voyage in letters to his sister. However, as the novel gener took off during the 1800s, most dropped the epistolary device, even if they were written in first-person. 

It hasn't disappeared altogether, though, modern treatments tend to mix the letters with narrative, often from different points of view, as in  The Guernsey Literary and Potato Peel Pie Society Some contemporary novels substitute emails for letters and sometimes also throw in texts or social media style updates in telling their stories. I wouldn't be surprised if there is a novel that is relayed solely through tweets, possibly grouped under hashtags rather than traditional chapter titles. 

But I wonder if anyone has attempted to tell a story through an online community bulletin board. I know that some reveal an awful lot about their lives through their posts -- about having children, having financial difficulties, attempts at getting a job, attempts at getting a loan, divorce, and calls for outright handouts.  That's all from one person's posts over the past 3 or 4 years. For writers of fiction, I thought that such an account could  form the central line of a narrative from which several key characters branch off. 

Related interest:
http://uncommoncontent.blogspot.com/2013/06/jane-austens-heroines-from-extroverted.html
http://uncommoncontent.blogspot.com/2014/02/poetry-difference-between-practice-and.html