Saturday, January 4, 2014

The book on the exhibit

A few weeks ago, I visited the New York Historical Society's Armory Show exhibit. Though it opened in 2013 for the 100 year anniversary, you can still catch it until February 23, 2014 (and if you're a Bank of America credit card holder you can get in free, January 5 and February 2 courtesy of the Museums on Us program)

 There is an audio guide for the exhibit, but it is really difficult to take in all the details of the politics behind the show from that information. It became much clearer when I read Elizabeth Lunday's The Modern Art Invasion: Picasso, Duchamp, and the 1913 Armory Show That Scandalized America.The books clarifies the differences in various types of modern art and the reactions they aroused.

 One of the things I found striking was how responses spread in 1913, through poetry, of all things. Lunday explains (p.80) that it would have been the "Twitter" of the day. "Where today's individual tweet and caption photographs in response to popular events, in the 1910s they wrote poetry -- vast reams of it, on every subject from the weather to fashion, foreign wars to the suffrage movement." The number of rhymes devoted to the Armory Show made it the equivalent of the subject an internet "'meme'" today. The book includes a few examples of such rhymes.

While the subject is the Armory Show, the book follows up on development in the modern art world throughout most of the 20th century and touches on major figures in American art whose fame came laer. One figure who currently looms large in the art world and did sell a painting through the show is Edward Hooper. But it wasn't the show that made him a success. He didn't sell another painting until another decade had passed. Lunday follows up on him briefly, as well as other artists whose names have became associated with modern art -- or the reactions against it.

Related posts: http://uncommoncontent.blogspot.com/2013/11/masterpiece-marketing.html
http://uncommoncontent.blogspot.com/2013/01/art-reflecting-life-reflecting-art.html



Monday, November 25, 2013

It's a meaningful life

Yesterday I finally read a book that's been on my list, so to speak, for a while: Viktor Frankl's Man's Search for Meaning.It only took a few hours, as it is a very short and compelling (though not light) read.If you look up the book or Frankl online, you will usually a see one long quote from the book, it's one about how much he thought about his wife.
That brought thoughts of my own wife to mind. And as we stumbled on for miles, slipping on icy spots, supporting each other time and again, dragging one another up and onward, nothing was said, but we both knew: each of us was thinking of his wife. Occasionally I looked at the sky, where the stars were fading and the pink light of the morning was beginning to spread behind a dark bank of clouds. But my mind clung to my wife's image, imagining it with an uncanny acuteness. I heard her answering me, saw her smile, her frank and encouraging look. Real or not, her look was then more luminous than the sun which was beginning to rise.
A thought transfixed me: for the first time in my life I saw the truth as it is set into song by so many poets, proclaimed as the final wisdom by so many thinkers. The truth – that love is the ultimate and the highest goal to which Man can aspire. Then I grasped the meaning of the greatest secret that human poetry and human thought and belief have to impart: The salvation of Man is through love and in love. I understood how a man who has nothing left in this world still may know bliss, be it only for a brief moment, in the contemplation of his beloved. In a position of utter desolation, when Man cannot express himself in positive action, when his only achievement may consist in enduring his sufferings in the right way – an honorable way – in such a position Man can, through loving contemplation of the image he carries of his beloved, achieve fulfillment. For the first time in my life I was able to understand the meaning of the words, "The angels are lost in perpetual contemplation of an infinite glory. 
He also directs a friend to deliver this message:  ‘Listen, Otto, if I don’t get back home to my wife, and if you should see her again, tell her that I talked of her daily, hourly. You remember. Secondly, I have loved her more than anyone. Thirdly, the short time I have been married to her outweighs everything, even all we have been through here.’ ”  As it happens, the message never could get delivered. The NYT obituary reveals that his wife, who was pregnant, had already been killed, a fact that he only alludes to in the book.
 I didn't even know if she were still alive. I knew only one thing -- which I have learned well by now. Love goes very far beyond the physical person of the beloved.It finds its deepest meaning in his spiritual being, his inner self. Whether of not he is actually present, whether or not he is still alive at all ceases somehow to be of importance....
Had I known that my wife was dead, I think that I would still have given myself, undisturbed by that knowledge, to the contemplation of her image, and that my mental conversation with her would have been just as vivid and just as satisfying. [then he quotes from Song of Songs] " Set me like a seal upon thy heart, love is as strong as death." 
While this sounds very Romantic, Frankl really sees it as a way to keep going rather than clinging to the past. He married again (a Catholic this time) after the war.  

Finding meaning for life in love in this way is very Existential. In a nutshell, Frankl's philosophy and its application to psychology as logotherapy is Friedrich Nietzsche's assertion, “Those who have a why to live, can bear with almost any how.”

That is why he says that some people who had less physical strength survived the concentration camps than those with more -- because they had an inner life to draw on, something to make their suffering meaningful. He does admit, though, that these are not the majority of people, though he posits that any can pull it off attests to human capacity for spiritual (or, if you prefer, mental) dominance over physical conditions. 

However, one brief passage in the book that really struck me was his considering waking up a inmate who was suffering from a nightmare only to think better of it because no nightmare could be worse than their reality in the concentration camp. There is a type of suffering that can become overwhelming, even to the strong. And I do wonder why, as he demonstrates some familiarity with Scriptures, he didn't look at the story of Job. Perhaps he would say that the lesson there was also about finding meaning in suffering. Job could not take the pain when he could see no reason for it.


All this is pretty heavy stuff, but some lessons that he imparts have counterparts in much lighter contexts. Many years before Frankl published his pieces on logotherapy LM Montgomery wrote of one of his solutions. In one of the sequels to Anne of Green Gables (I believe it was Anne of the Island), Anne has a roommate of a rather flighty disposition. 

She has difficulty making up her mind until the pastor that she ends up marrying advises her herself at 80 and consider what she would you have been glad she had done.  Frankl offers almost the exact same thing in his therapy for a woman who was suicidal. He has her visual looking back on her life at 80. That's when she realizes that, despite her present despair, her life is rich in meaning. 

Related: Making life meaningful even when facing death


Related" Making Life Meaningful Even When Facing Death

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