Showing posts with label George Eliot. Show all posts
Showing posts with label George Eliot. Show all posts

Thursday, August 29, 2013

Ethics and editorials

As a freelancer, I am always happy to hear of offers for writing jobs. Sometimes I decline because either no pay or very low pay is offered. But today I ran into something completely different: an offer to pay for articles I publish elsewhere in the interest of PR. This is how it works:


This type of PR freelance work is very trendy in the digital publishing space and I've noticed a lot of writers unaware of the potential. With your writing and contributing experience with sites like  ___ and others I think we would be a fantastic team. I would pay between $300 - $500 for these sites alone and more for others.
Please check out the project details below: I am currently working with writers in a wide variety of fields and would love to add you to my network. I know that many top websites do not pay their contributors, so I would like to offer this paid freelance work as a way for you to create revenue from your current unpaid or paid contributor jobs.Second half pay refers to the payment you will receive once you publish an article on any given site. This second half process includes things you already do like pitching, taking on assignments, submitting articles to the editor, and publication.For example, if we decided to work on a project for the LA Times:1. You would pitch an idea or take on a story given to you by the editorial team at the LA Times.2. You would come up with an angle for the story organically, and let me know if I have any sources for quotes, reference that would fit into your story.3. If so, I provide assistance in helping gather sources for the story to include in the article.4. You write the story and I pay you for your work ($X for LA TImes).5. You submit to predetermined publisher for publication (i.e. LA Times, etc.) and once published I pay the remaining portion of the payment (i.e. $X for publication).What I get out of it is working with you to create the articles before you publish so I can integrate my clients as sources as they relate to articles you're writing. If you decide a link to my client's site/page is relevant and makes sense within your article; then I will pay you for writing and publishing that articles due to the added exposure you provide to my client. I will also help you with SEO and title, subheading, keyword research for your articles so they rank better in search engines if you decide to collaborate with on any given article.Links are valuable in the online publishing space, so anytime you think one of my client's sites is relevant and would like to use them as a source, we can collaborate and use this payment structure. 



I'm not altogether naive. I know that content does get skewed somewhat by publishers who are sponsored by or who run ads for businesses. Sometimes it is done with more subtlety than others. For example, I spoke with someone whose business is getting paid by individuals and organizations who want to be represented in Wikipedia. The writing is all done to Wiki standards and has to sound objective, but the clients are the ones paying to get it done so that they will have that kind of web presence. 
 I also realize that some business reps are happy to talk to me because they value the exposure they get for free in my articles. However, it never occurred to me to seek payment from the sources of information or from rep of said source. Doing so seems to open up the potential for conflict of interest. Even if the client quotes are perfectly sound, having to take them into account because of the payment rather than because they are the best ones for the article is also a compromise of journalistic integrity.I ran this by someone who has been in the publishing industry a lot longer than I have. While he conceded that it could be construed to be somewhat unethical, he said that it was "not unlike traditional PR, " in which case the contact would pitch client sources directly to an editor, though money would not be offered in that case.  I've had a bit of that before: people wanting to get  what they are doing publicized.  But the reality is that I can only publish approved topics, and not everyone's business interest will fit the context. And I certainly can't adjust the SEO for the pieces that are subject to editorial changes.  Somehow, I don't think the publishers would take to kindly to my taking payment from another party when they already pay me for the writing work.  And that does have the potential to backfire. 




Also I find it questionable from a legal standpoint.If bloggers who receive compensation for their product endorsements are required to disclose that fact, why would it be legal for writers to take money from people who are pushing a particular agenda on another publishing platform without full disclosure?   Even if there are no legal pitfalls, though,  I don't like getting involved in anything that even smacks of underhandedness.




We would work together to craft stories and subjects to post on websites you currently contribute to, while collaborating on: topics, subject matter, sources, links, etc. in each article. Each freelance project involves paying a sum upfront for your time to create the article and the second half once the content is published by you on a site.




Obviously, the assumption here is that freelancers feel underpaid, as many publishers really do offer ridiculously low fees or even no pay at all (as Huffington Post is infamous for)  because the writer is given such wonderful exposure. The boards who do engage in that should now consider the potential downside to having writers who find other ways of making their writing work pay. 

Just as I tell clients who hire me for web content that I won't create testimonials for them, I don't like having to misrepresent a directed piece as an objective one. This is the kind of subtle moral question that George Eliot looks at in Middlemarch. One character lets monetary considerations influence a major decision, and another absolutely refuses to compromise on her moral scruples at the cost of an inheritance. Some of us are just too burdened by integrity to take advantage of all opportunities.

Wednesday, February 13, 2013

The Big Bow-Wow & a Bit of Ivory

Jane Austen's books doormat, design by Totally Jane Austen 


Sir Walter Scott contrasted his style of writing with that of Jane Austen: "The big Bow-Wow strain I can do myself like any now going; but the exquisite touch which renders ordinary commonplace things and characters interesting from the truth of the description and the sentiment is denied to me. "While he characterized his work as large, Jane Austen called her own small, a "little bit (two inches wide) of ivory on which I work with so fine a brush."


Seeing themselves as such strong contrasts to each other, they likely would have been very surprised to be coupled together as "the literary equivalent of Homo erectus, or, if you prefer, Adam and Eve,." in the words of Matthew L. Jockers Using computational power to analyze 3,592 works published between 1780 and 1900, he concluded that Walter Scott and Jane Austen were the two primary influencers of all novelists who came after them in terms of style and theme.  Those are the types of discoveries that Jockers expound upon in Macroanalysis: Digital Methods and Literary History.


Systematic textual analysis has a history that goes much further back than computers. The first concordance, according to The Word Crunchers dates back about 800 years. It was a most labor-intensive project, taking up the work of 500 friars. 

A Chaucer concordance took 50 years until it was ready for publication in 1927. Computers entered the picture as early as 1951 with punch card programming and IBM computers. At the time, “indexing all of Aquinas took a million man-hours.” It was only complete in 1974.  Ten years later, though, computers could analyze texts effortlessly, as depicted in the reports of a novelist’s favorite word in David Lodge’s novel Small World.    

The proliferation of digitalized books, courtesy of Google books is what makes it possible for computers to now process huge volumes of text from thousands of works.  Matthew Jockers, along with Franco Moretti, founded the Stanford Literary Lab in 2010. The research is done in groups along the lines of scientific investigations with the help of computer.

The approach is critiqued by a Chronicle of Higher Education article as The Humanities Go Google:

Data-diggers are gunning to debunk old claims based on "anecdotal" evidence and answer once-impossible questions about the evolution of ideas, language, and culture. Critics, meanwhile, worry that these stat-happy quants take the human out of the humanities. Novels aren't commodities like bags of flour, they warn. Cranking words from deeply specific texts like grist through a mill is a recipe for lousy research, they say—and a potential disaster for the profession.

It’s not just a matter of traditionalists feeling threatened by computer power. Algorithms that depend on Google books for meta-data tags may reach wrong conclusions.  Geoffrey Nunberg, a linguist, is quoted as declaring Google’s tags "a mess," not to be relied on.  Aside from questions of accuracy, there is that of relevance. Researcher have to ask themselves: "What does this tell me that what we can't already do?"

I had the same question when I read the  article on Jockers. Aside from identifying the novel’s trail set by Austen, it points out the supposed revelation that the novels of George Eliot "more closely resemble the patterns of male writers."  Is it altogether surprising that the author of Silly Novels by Lady Novelists who deliberately adopted a masculine pseudonym broke the mold conceived for female writers?  That’s something that any student of Victorian literature should already know.

What this form of research could do that traditional studies do not is unearth the roads not taken by the literary canon. In a New Scientist article on Jockers’ work,  Nicholas Dames, chair of the department of English and comparative literature at Columbia University as seeing the value of this type of research to bring to light the full body of fiction "rather than the small percentage of canonical texts that are usually taken as exemplary." That opens up the consideration of the canon in a larger context, which can lead to questioning the marked trail of influence.   But that will only work if the Google Books data proves comprehensive and reliable enough to accurately represent the literature of the time.





RelatedJane Austen at the Morgan
Three Janes, Two Governesses, and the Abolitionist Movement
Some observations on Jane Austen's Emma
Jane Austen and Autism
Pride, Prejudice and Persuasion: Obstacles to Happiness in Jane Austen's Novels

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