Monday, June 16, 2025

Valuing kindness above cleverness: Emma's lesson

 




New Yorker cartoon: "Son, if you can't say something nice, say something clever and devastating."

Facebook brought this New Yorker cartoon into my feed. I immediately thought of Jane Austen's Emma. She thought the same way the father in this cartoon does that saying something clever but devastating is an irresistible temptation, but she comes to regret the hurt she has caused. 


While the group is seated for their picnic, Frank Churchill stirs things up by declaring a demand from Miss Woodhouse: 

" '..she only demands from each of you either one thing very clever, be it prose or verse, original or repeated--or two things moderately clever--or three things very dull indeed, and she engages to laugh heartily at them all."

Jane Austen wine charms

"Oh! very well," exclaimed Miss Bates, "then I need not be uneasy. 'Three things very dull indeed.' That will just do for me, you know. I shall be sure to say three dull things as soon as ever I open my mouth, shan't I? (looking round with the most good-humoured dependence on every body's assent)--Do not you all think I shall?"

Emma could not resist.

"Ah! ma'am, but there may be a difficulty. Pardon me--but you will be limited as to number--only three at once."

Miss Bates, deceived by the mock ceremony of her manner, did not immediately catch her meaning; but, when it burst on her, it could not anger, though a slight blush shewed that it could pain her.

"Ah!--well--to be sure. Yes, I see what she means, (turning to Mr. Knightley,) and I will try to hold my tongue. I must make myself very disagreeable, or she would not have said such a thing to an old friend."

There is some additional dialog and a bit of narrative until Mr. Knightley is able to confront Emma alone and take her to task:

While waiting for the carriage, she found Mr. Knightley by her side. He looked around, as if to see that no one were near, and then said,

"Emma, I must once more speak to you as I have been used to do: a privilege rather endured than allowed, perhaps, but I must still use it. I cannot see you acting wrong, without a remonstrance. How could you be so unfeeling to Miss Bates? How could you be so insolent in your wit to a woman of her character, age, and situation?--Emma, I had not thought it possible."

Emma recollected, blushed, was sorry, but tried to laugh it off.

"Nay, how could I help saying what I did?--Nobody could have helped it. It was not so very bad. I dare say she did not understand me."

"I assure you she did. She felt your full meaning. She has talked of it since. I wish you could have heard how she talked of it--with what candour and generosity. I wish you could have heard her honouring your forbearance, in being able to pay her such attentions, as she was for ever receiving from yourself and your father, when her society must be so irksome."

"Oh!" cried Emma, "I know there is not a better creature in the world: but you must allow, that what is good and what is ridiculous are most unfortunately blended in her."

"They are blended," said he, "I acknowledge; and, were she prosperous, I could allow much for the occasional prevalence of the ridiculous over the good. Were she a woman of fortune, I would leave every harmless absurdity to take its chance, I would not quarrel with you for any liberties of manner. Were she your equal in situation--but, Emma, consider how far this is from being the case. She is poor; she has sunk from the comforts she was born to; and, if she live to old age, must probably sink more. Her situation should secure your compassion. It was badly done, indeed! You, whom she had known from an infant, whom she had seen grow up from a period when her notice was an honour, to have you now, in thoughtless spirits, and the pride of the moment, laugh at her, humble her--and before her niece, too--and before others, many of whom (certainly some,) would be entirely guided by your treatment of her.--This is not pleasant to you, Emma--and it is very far from pleasant to me; but I must, I will,--I will tell you truths while I can; satisfied with proving myself your friend by very faithful counsel, and trusting that you will some time or other do me greater justice than you can do now."

You can judge for yourself which adaption of the picnic at Box Hill, showed this lesson best, thanks to the compilation here:


 

With great status comes great responsibility 

The first line of Emma is not nearly as famous as the opening line of Pride and Prejudice, though it also archly conveys the essence of the story: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her."

Emma seems to have all that is necessary for happiness. Out of those three attributes, she takes the most pride in her cleverness, taking her wealth for granted and lacking vanity for her appearance, as Mr. Knightley reveals in conversation with Mrs. Weston. 

Like a tragic hero, Emma's great strengths are also what lead to her undoing -- or rather some misjudgments and hurt feelings that the good-hearted Emma never intended. Austen's novels follow the conventions of Shakespeare's comedies rather than the tragedies, so everything works out fine in the end with the main characters properly paired off. 

However, along the way, our heroine has to admit her faults and mistakes and learn to be better, which she does. Now that I think about it, Emma's lesson is similar to Darcy's who responded to Bingley's suggestion that he ask Elizabeth to dance with "She is tolerable; but not handsome enough to tempt me; and I am in no humour at present to give consequence to young ladies who are slighted by other men." Darcy came to regret that quip as much as Emma regretted what she said to Miss Bates. Like Darcy, Emma learns that kindness and consideration for the feelings of others is a greater measure of worth than attempt to manipulate others -- for their own good -- and clever remarks.  




Related:

Sunday, June 8, 2025

Jane Austen at 250

Jane Austen at 250

Jane Austen was born on December 16, 1775, which means that her 250th  birthday is still a full half a year away. But why wait to celebrate?

 Jane Austen's novels grace a towels, available here 

 That's the attitude of a number of laces that have are observing her birthday already in various ways. I got to see two of them in one day on a trip into Manhattan today. One was the Morgan Library & Museum exhibit, "A Lively Mind: Jane Austen at 250," which was just set on June 6 and will run until September 14, 2025. 

                    
Joan Hassal's illustrations of Jane Austen's novels published between 1957 and 1963: "Miss Crawford's Harp," "The saunter around Woodstone," "Ann[sic] Elliot and Captain Wentworth," "Captain Benedick runs for help," "Willoughby carries in Marianne," "Elinor meets Miss Steele in Kensington Gardens"

These illustrations are among the many items that enriched the Jane Austen collection at the Morgan thanks to the donation of an extensive collection amassed by Alberta and Henry Gershon Burke (who changed his last name from the more Jewish-sounding Berkowitz).  The exhibit also shows something the Burkes purchased but were pressured not to take out of England -- a lock of Jane Austen's hair that Alberta Burke gifted to the he Jane Austen Society in Chawton.

Alberta willed her her extensive collection to Goucher College and the Morgan. The former was given the books and correspondence, while the latter received Austen letters and manuscripts upon her death in 1975.  In 1979, Henry Burke, along with Joan Austen-Leigh and J. David Grey founded The Jane Austen Society of North America (JASNA).

Pride and Prejudice Off-Broadway

Extending the celebration of Jane Austen, we took in the adaptation of her most popular novel in a much-cut version played by one actor and two actresses taking on multiple roles each to heighten the comedy and showcase teh adeptness of the depictions of character. In truth, the tickets were purchased before we planned the stop at the Morgan for the morning before the matinee. If you want to catch this version in NYC, you'll have to get your tickets within the month. The play's run is limited to just 5 weeks and so ends at the end of June.




This is a fun version of the novel with clever choreography and use of accessories to enable the three people on stage to represent all the Bennets, the Gardiners, Darcy, Wickham, Charlotte Lucas, Mr. Collins, Bingley, his sister, Lady Catherine de Bourgh, and Darcy's housekeeper, though it had to cut out several characters (not just the Hursts the way most productions do) and some key dialog. 

One cut particularly disappointed me: the elimination of the discussion of accomplished women. As you can see from this blog post, it's one that I consider key to the Elizabeth's character and an important life-lesson to push back when you are held to an impossible standard. 

If you want to mark the novelist's 250th birthday, there's no better way to do it than with a the Jane Austen products for sale here. I can assure you that you'll find better pricing at the Zazzle store than you would in the Morgan gift shop. I checked myself.              
                                                                                                                    
                                                                  





                                   

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